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Classic Fiction

Les Misérables

With Isabel F. Hapgood

Translated by Isabel F. Hapgood

An escaped convict steals two candlesticks and uses the proceeds to redeem himself and become an honest man.

First published
1862
Length
564,061 words
Reading time
About 39 hr 11 min
Language
English (US)

About the book

Les Misérables , by Victor Hugo has been described as one of literature’s greatest novels. The first two volumes were published in French in March 1862 and translated into English later the same year. Since then it has been translated by numerous others and has been adapted for film, television, radio, animation and the stage.

This epic novel tells the story of Jean Valjean, an ex-convict who is attempting to escape from his past. Newly released from the galley-ships, Jean Valjean steals the silverware from the bishop who has taken him in for the night. When he is captured, the bishop urges him to use the silver to become an honest citizen. Valjean becomes a wealthy man, owner of a factory and mayor of his town but his past is only a footstep away in the form of Javert, Inspector of Police, who recognises Valjean from his time as a guard.

A factory-worker, who has been dismissed from Valjean’s employment, is sentenced to six months imprisonment but ends up dying in the town’s hospital and Valjean feels responsible for the downward spiral of her life, so rescues her child, Cosette, from the corrupt inn-keepers with whom her mother had left her.

The rest of the novel tells the stories of Valjean, Cosette and other characters which intertwine with each other. Hugo also included a number of “digressions” on subjects including cloistered religious orders, the use of slang language and, most significantly, the battle of Waterloo.

About the author

Victor Hugo

Victor Hugo (1802–1885) is described by Wikidata as French novelist, poet, dramatist and politician (1802–1885), with citizenship or national association recorded as France, Belgium, and United Kingdom.

Recorded occupations include politician, playwright, novelist, draftsperson, librettist, and essayist. Languages recorded for Victor Hugo include French. The structured record associates Victor Hugo with freethought and French Romanticism. Wikidata lists Les Misérables, The Hunchback of Notre Dame, Les Contemplations, L'Art d'être grand-père, The Man Who Laughs, and Les Orientales among Victor Hugo's notable works. Open Library identifies Les Misérables as a leading work in its author record. Open Library catalogs 4612 works under this author record. The Read4Max catalog currently includes Les Misérables, Notre-Dame de Paris, and Toilers of the Sea under Victor Hugo's authorship.

Contributors

Annotator

Isabel F. Hapgood

Translator

Isabel F. Hapgood

Reading options

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  • Book and contributor metadata are checked against the source edition before indexing.

Themes and ideas

  • Historical fiction
  • Orphans
  • Paris (France)
  • Epic literature
  • Ex-convicts

Table of contents

Open reader
Show all 422 sections
  1. Preface
  2. Les Misérables
  3. Volume I
  4. Book I
  5. I: M. Myriel
  6. II: M. Myriel Becomes M. Welcome
  7. III: A Hard Bishopric for a Good Bishop
  8. IV: Works Corresponding to Words
  9. V: Monseigneur Bienvenu Made His Cassocks Last Too Long
  10. VI: Who Guarded His House for Him
  11. VII: Cravatte
  12. VIII: Philosophy After Drinking
  13. IX: The Brother as Depicted by the Sister
  14. X: The Bishop in the Presence of an Unknown Light
  15. XI: A Restriction
  16. XII: The Solitude of Monseigneur Welcome
  17. XIII: What He Believed
  18. XIV: What He Thought
  19. Book II
  20. I: The Evening of a Day of Walking
  21. II: Prudence Counselled to Wisdom
  22. III: The Heroism of Passive Obedience
  23. IV: Details Concerning the Cheese-Dairies of Pontarlier
  24. V: Tranquillity
  25. VI: Jean Valjean
  26. VII: The Interior of Despair
  27. VIII: Billows and Shadows
  28. IX: New Troubles
  29. X: The Man Aroused
  30. XI: What He Does
  31. XII: The Bishop Works
  32. XIII: Little Gervais
  33. Book III
  34. I: The Year 1817
  35. II: A Double Quartet
  36. III: Four and Four
  37. IV: Tholomyès Is So Merry That He Sings a Spanish Ditty
  38. V: At Bombarda’s
  39. VI: A Chapter in Which They Adore Each Other
  40. VII: The Wisdom of Tholomyès
  41. VIII: The Death of a Horse
  42. IX: A Merry End to Mirth
  43. Book IV
  44. I: One Mother Meets Another Mother
  45. II: First Sketch of Two Unprepossessing Figures
  46. III: The Lark
  47. Book V
  48. I: The History of a Progress in Black Glass Trinkets
  49. II: Madeleine
  50. III: Sums Deposited with Laffitte
  51. IV: M. Madeleine in Mourning
  52. V: Vague Flashes on the Horizon
  53. VI: Father Fauchelevent
  54. VII: Fauchelevent Becomes a Gardener in Paris
  55. VIII: Madame Victurnien Expends Thirty Francs on Morality
  56. IX: Madame Victurnien’s Success
  57. X: Result of the Success
  58. XI: Christus Nos Liberavit
  59. XII: M. Bamatabois’s Inactivity
  60. XIII: The Solution of Some Questions Connected with the Municipal Police
  61. Book VI
  62. I: The Beginning of Repose
  63. II: How Jean May Become Champ
  64. Book VII
  65. I: Sister Simplice
  66. II: The Perspicacity of Master Scaufflaire
  67. III: A Tempest in a Skull
  68. IV: Forms Assumed by Suffering During Sleep
  69. V: Hindrances
  70. VI: Sister Simplice Put to the Proof
  71. VII: The Traveller on His Arrival Takes Precautions for Departure
  72. VIII: An Entrance by Favor
  73. IX: A Place Where Convictions Are in Process of Formation
  74. X: The System of Denials
  75. XI: Champmathieu More and More Astonished
  76. Book VIII
  77. I: In What Mirror M. Madeleine Contemplates His Hair
  78. II: Fantine Happy
  79. III: Javert Satisfied
  80. IV: Authority Reasserts Its Rights
  81. V: A Suitable Tomb
  82. Volume II
  83. Book I
  84. I: What Is Met with on the Way from Nivelles
  85. II: Hougomont
  86. III: The Eighteenth of June, 1815
  87. IV: A
  88. V: The Quid Obscurum of Battles
  89. VI: Four O’Clock in the Afternoon
  90. VII: Napoleon in a Good Humor
  91. VIII: The Emperor Puts a Question to the Guide Lacoste
  92. IX: The Unexpected
  93. X: The Plateau of Mont-Saint-Jean
  94. XI: A Bad Guide to Napoleon; A Good Guide to Bülow
  95. XII: The Guard
  96. XIII: The Catastrophe
  97. XIV: The Last Square
  98. XV: Cambronne
  99. XVI: Quot Libras in Duce?
  100. XVII: Is Waterloo to Be Considered Good?
  101. XVIII: A Recrudescence of Divine Right
  102. XIX: The Battlefield at Night
  103. Book II
  104. I: Number 24,601 Becomes Number 9,430
  105. II: In Which the Reader Will Peruse Two Verses, Which Are of the Devil’s Composition, Possibly
  106. III: The Ankle-Chain Must Have Undergone a Certain Preparatory Manipulation to Be Thus Broken with a Blow from a Hammer
  107. Book III
  108. I: The Water Question at Montfermeil
  109. II: Two Complete Portraits
  110. III: Men Must Have Wine, and Horses Must Have Water
  111. IV: Entrance on the Scene of a Doll
  112. V: The Little One All Alone
  113. VI: Which Possibly Proves Boulatruelle’s Intelligence
  114. VII: Cosette Side by Side with the Stranger in the Dark
  115. VIII: The Unpleasantness of Receiving Into One’s House a Poor Man Who May Be a Rich Man
  116. IX: Thénardier and His Manouvres
  117. X: He Who Seeks to Better Himself May Render His Situation Worse
  118. XI: Number 9,430 Reappears, and Cosette Wins It in the Lottery
  119. Book IV
  120. I: Master Gorbeau
  121. II: A Nest for Owl and a Warbler
  122. III: Two Misfortunes Make One Piece of Good Fortune
  123. IV: The Remarks of the Principal Tenant
  124. V: A Five-Franc Piece Falls on the Ground and Produces a Tumult
  125. Book V
  126. I: The Zigzags of Strategy
  127. II: It Is Lucky That the Pont d’Austerlitz Bears Carriages
  128. III: To Wit, the Plan of Paris in 1727
  129. IV: The Gropings of Flight
  130. V: Which Would Be Impossible with Gas Lanterns
  131. VI: The Beginning of an Enigma
  132. VII: Continuation of the Enigma
  133. VIII: The Enigma Becomes Doubly Mysterious
  134. IX: The Man with the Bell
  135. X: Which Explains How Javert Got on the Scent
  136. Book VI
  137. I: Number 62 Rue Petit-Picpus
  138. II: The Obedience of Martin Verga
  139. III: Austerities
  140. IV: Gayeties
  141. V: Distractions
  142. VI: The Little Convent
  143. VII: Some Silhouettes of This Darkness
  144. VIII: Post Corda Lapides
  145. IX: A Century Under a Guimpe
  146. X: Origin of the Perpetual Adoration
  147. XI: End of the Petit-Picpus
  148. Book VII
  149. I: The Convent as an Abstract Idea
  150. II: The Convent as an Historical Fact
  151. III: On What Conditions One Can Respect the Past
  152. IV: The Convent from the Point of View of Principles
  153. V: Prayer
  154. VI: The Absolute Goodness of Prayer
  155. VII: Precautions to Be Observed in Blame
  156. VIII: Faith, Law
  157. Book VIII
  158. I: Which Treats of the Manner of Entering a Convent
  159. II: Fauchelevent in the Presence of a Difficulty
  160. III: Mother Innocente
  161. IV: In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo
  162. V: It Is Not Necessary to Be Drunk in Order to Be Immortal
  163. VI: Between Four Planks
  164. VII: In Which Will Be Found the Origin of the Saying: Don’t Lose the Card
  165. VIII: A Successful Interrogatory
  166. IX: Cloistered
  167. Volume III
  168. Book I
  169. I: Parvulus
  170. II: Some of His Particular Characteristics
  171. III: He Is Agreeable
  172. IV: He May Be of Use
  173. V: His Frontiers
  174. VI: A Bit of History
  175. VII: The Gamin Should Have His Place in the Classifications of India
  176. VIII: In Which the Reader Will Find a Charming Saying of the Last King
  177. IX: The Old Soul of Gaul
  178. X: Ecce Paris, Ecce Homo
  179. XI: To Scoff, to Reign
  180. XII: The Future Latent in the People
  181. XIII: Little Gavroche
  182. Book II
  183. I: Ninety Years and Thirty-Two Teeth
  184. II: Like Master, Like House
  185. III: Luc-Esprit
  186. IV: A Centenarian Aspirant
  187. V: Basque and Nicolette
  188. VI: In Which Magnon and Her Two Children Are Seen
  189. VII: Rule: Receive No One Except in the Evening
  190. VIII: Two Do Not Make a Pair
  191. Book III
  192. I: An Ancient Salon
  193. II: One of the Red Spectres of That Epoch
  194. III: Requiescant
  195. IV: End of the Brigand
  196. V: The Utility of Going to Mass, in Order to Become a Revolutionist
  197. VI: The Consequences of Having Met a Warden
  198. VII: Some Petticoat
  199. VIII: Marble Against Granite
  200. Book IV
  201. I: A Group Which Barely Missed Becoming Historic
  202. II: Blondeau’s Funeral Oration by Bossuet
  203. III: Marius’ Astonishments
  204. IV: The Back Room of the Café Musain
  205. V: Enlargement of Horizon
  206. VI: Res Angusta
  207. Book V
  208. I: Marius Indigent
  209. II: Marius Poor
  210. III: Marius Grown Up
  211. IV: M. Mabeuf
  212. V: Poverty a Good Neighbor for Misery
  213. VI: The Substitute
  214. Book VI
  215. I: The Sobriquet: Mode of Formation of Family Names
  216. II: Lux Facta Est
  217. III: Effect of the Spring
  218. IV: Beginning of a Great Malady
  219. V: Divers Claps of Thunder Fall on Ma’am Bougon
  220. VI: Taken Prisoner
  221. VII: Adventures of the Letter U Delivered Over to Conjectures
  222. VIII: The Veterans Themselves Can Be Happy
  223. IX: Eclipse
  224. Book VII
  225. I: Mines and Miners
  226. II: The Lowest Depths
  227. III: Babet, Gueulemer, Claquesous, and Montparnasse
  228. IV: Composition of the Troupe
  229. Book VIII
  230. I: Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap
  231. II: Treasure Trove
  232. III: Quadrifrons
  233. IV: A Rose in Misery
  234. V: A Providential Peephole
  235. VI: The Wild Man in His Lair
  236. VII: Strategy and Tactics
  237. VIII: The Ray of Light in the Hovel
  238. IX: Jondrette Comes Near Weeping
  239. X: Tariff of Licensed Cabs: Two Francs an Hour
  240. XI: Offers of Service from Misery to Wretchedness
  241. XII: The Use Made of M. Leblanc’s Five-Franc Piece
  242. XIII: Solus Cum Solo, in Loco Remoto, Non Cogitabuntur Orare Pater Noster
  243. XIV: In Which a Police Agent Bestows Two Fistfuls on a Lawyer
  244. XV: Jondrette Makes His Purchases
  245. XVI: In Which Will Be Found the Words to an English Air Which Was in Fashion in 1832
  246. XVII: The Use Made of Marius’ Five-Franc Piece
  247. XVIII: Marius’ Two Chairs Form a Vis-a-Vis
  248. XIX: Occupying One’s Self with Obscure Depths
  249. XX: The Trap
  250. XXI: One Should Always Begin by Arresting the Victims
  251. XXII: The Little One Who Was Crying in Volume Two
  252. Volume IV
  253. Book I
  254. I: Well Cut
  255. II: Badly Sewed
  256. III: Louis Philippe
  257. IV: Cracks Beneath the Foundation
  258. V: Facts Whence History Springs and Which History Ignores
  259. VI: Enjolras and His Lieutenants
  260. Book II
  261. I: The Lark’s Meadow
  262. II: Embryonic Formation of Crimes in the Incubation of Prisons
  263. III: Apparition to Father Mabeuf
  264. IV: An Apparition to Marius
  265. Book III
  266. I: The House with a Secret
  267. II: Jean Valjean as a National Guard
  268. III: Foliis Ac Frondibus
  269. IV: Change of Gate
  270. V: The Rose Perceives That It Is an Engine of War
  271. VI: The Battle Begun
  272. VII: To One Sadness Oppose a Sadness and a Half
  273. VIII: The Chain-Gang
  274. Book IV
  275. I: A Wound Without, Healing Within
  276. II: Mother Plutarque Finds No Difficulty in Explaining a Phenomenon
  277. Book V
  278. I: Solitude and the Barracks Combined
  279. II: Cosette’s Apprehensions
  280. III: Enriched with Commentaries by Toussaint
  281. IV: A Heart Beneath a Stone
  282. V: Cosette After the Letter
  283. VI: Old People Are Made to Go Out Opportunely
  284. Book VI
  285. I: The Malicious Playfulness of the Wind
  286. II: In Which Little Gavroche Extracts Profit from Napoleon the Great
  287. III: The Vicissitudes of Flight
  288. Book VII
  289. I: Origin
  290. II: Roots
  291. III: Slang Which Weeps and Slang Which Laughs
  292. IV: The Two Duties: To Watch and to Hope
  293. Book VIII
  294. I: Full Light
  295. II: The Bewilderment of Perfect Happiness
  296. III: The Beginning of Shadow
  297. IV: A Cab Runs in English and Barks in Slang
  298. V: Things of the Night
  299. VI: Marius Becomes Practical Once More to the Extent of Giving Cosette His Address
  300. VII: The Old Heart and the Young Heart in the Presence of Each Other
  301. Book IX
  302. I: Jean Valjean
  303. II: Marius
  304. III: M. Mabeuf
  305. Book X
  306. I: The Surface of the Question
  307. II: The Root of the Matter
  308. III: A Burial; An Occasion to Be Born Again
  309. IV: The Ebullitions of Former Days
  310. V: Originality of Paris
  311. Book XI
  312. I: Some Explanations with Regard to the Origin of Gavroche’s Poetry
  313. II: Gavroche on the March
  314. III: Just Indignation of a Hairdresser
  315. IV: The Child Is Amazed at the Old Man
  316. V: The Old Man
  317. VI: Recruits
  318. Book XII
  319. I: History of Corinthe from Its Foundation
  320. II: Preliminary Gayeties
  321. III: Night Begins to Descend Upon Grantaire
  322. IV: An Attempt to Console the Widow Hucheloup
  323. V: Preparations
  324. VI: Waiting
  325. VII: The Man Recruited in the Rue des Billettes
  326. VIII: Many Interrogation Points with Regard to a Certain le Cabuc
  327. Book XIII
  328. I: From the Rue Plumet to the Quartier Saint-Denis
  329. II: An Owl’s View of Paris
  330. III: The Extreme Edge
  331. Book XIV
  332. I: The Flag: Act First
  333. II: The Flag: Act Second
  334. III: Gavroche Would Have Done Better to Accept Enjolras’ Carbine
  335. IV: The Barrel of Powder
  336. V: End of the Verses of Jean Prouvaire
  337. VI: The Agony of Death After the Agony of Life
  338. VII: Gavroche as a Profound Calculator of Distances
  339. Book XV
  340. I: A Drinker Is a Babbler
  341. II: The Street Urchin an Enemy of Light
  342. III: While Cosette and Toussaint Are Asleep
  343. IV: Gavroche’s Excess of Zeal
  344. Volume V
  345. Book I
  346. I: The Charybdis of the Faubourg Saint Antoine and the Scylla
  347. II: What Is to Be Done in the Abyss if One Does Not Converse
  348. III: Light and Shadow
  349. IV: Minus Five, Plus One
  350. V: The Horizon Which One Beholds from the Summit of a Barricade
  351. VI: Marius Haggard, Javert Laconic
  352. VII: The Situation Becomes Aggravated
  353. VIII: The Artillerymen Compel People to Take Them Seriously
  354. IX: Employment of the Old Talents of a Poacher and That Infallible Marksmanship Which Influenced the Condemnation of 1796
  355. X: Dawn
  356. XI: The Shot Which Misses Nothing and Kills No One
  357. XII: Disorder a Partisan of Order
  358. XIII: Passing Gleams
  359. XIV: Wherein Will Appear the Name of Enjolras’ Mistress
  360. XV: Gavroche Outside
  361. XVI: How from a Brother One Becomes a Father
  362. XVII: Mortuus Pater Filium Moriturum Expectat
  363. XVIII: The Vulture Become Prey
  364. XIX: Jean Valjean Takes His Revenge
  365. XX: The Dead Are in the Right and the Living Are Not in the Wrong
  366. XXI: The Heroes
  367. XXII: Foot to Foot
  368. XXIII: Orestes Fasting and Pylades Drunk
  369. XXIV: Prisoner
  370. Book II
  371. I: The Land Impoverished by the Sea
  372. II: Ancient History of the Sewer
  373. III: Bruneseau
  374. IV
  375. V: Present Progress
  376. VI: Future Progress
  377. Book III
  378. I: The Sewer and Its Surprises
  379. II: Explanation
  380. III: The “Spun” Man
  381. IV: He Also Bears His Cross
  382. V: In the Case of Sand as in That of Woman, There Is a Fineness Which Is Treacherous
  383. VI: The Fontis
  384. VII: One Sometimes Runs Aground When One Fancies That One Is Disembarking
  385. VIII: The Torn Coattail
  386. IX: Marius Produces on Some One Who Is a Judge of the Matter, the Effect of Being Dead
  387. X: Return of the Son Who Was Prodigal of His Life
  388. XI: Concussion in the Absolute
  389. XII: The Grandfather
  390. Book IV
  391. I
  392. Book V
  393. I: In Which the Tree with the Zinc Plaster Appears Again
  394. II: Marius, Emerging from Civil War, Makes Ready for Domestic War
  395. III: Marius Attacked
  396. IV: Mademoiselle Gillenormand Ends by No Longer Thinking It a Bad Thing That M. Fauchelevent Should Have Entered with Something Under His Arm
  397. V: Deposit Your Money in a Forest Rather Than with a Notary
  398. VI: The Two Old Men Do Everything, Each One After His Own Fashion, to Render Cosette Happy
  399. VII: The Effects of Dreams Mingled with Happiness
  400. VIII: Two Men Impossible to Find
  401. Book VI
  402. I: The 16th of February, 1833
  403. II: Jean Valjean Still Wears His Arm in a Sling
  404. III: The Inseparable
  405. IV: The Immortal Liver
  406. Book VII
  407. I: The Seventh Circle and the Eighth Heaven
  408. II: The Obscurities Which a Revelation Can Contain
  409. Book VIII
  410. I: The Lower Chamber
  411. II: Another Step Backwards
  412. III: They Recall the Garden of the Rue Plumet
  413. IV: Attraction and Extinction
  414. Book IX
  415. I: Pity for the Unhappy, but Indulgence for the Happy
  416. II: Last Flickerings of a Lamp Without Oil
  417. III: A Pen Is Heavy to the Man Who Lifted the Fauchelevent’s Cart
  418. IV: A Bottle of Ink Which Only Succeeded in Whitening
  419. V: A Night Behind Which There Is Day
  420. VI: The Grass Covers and the Rain Effaces
  421. Endnotes
  422. List of Illustrations